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Vertigo: A BFI Film Classic by Charles Barr - Unveiling the Depths of Alfred Hitchcock's Masterpiece

Aubrey Blair

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Published in Vertigo (BFI Film Classics) Charles Barr

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"Vertigo" is a 1958 American psychological thriller film directed by Alfred Hitchcock and starring James Stewart and Kim Novak. The film follows the story of John "Scottie" Ferguson (Stewart),a former police detective suffering from acrophobia (fear of heights),who is hired to investigate the strange behavior of Madeleine Elster (Novak),a wealthy socialite. As Scottie delves deeper into the case, he becomes obsessed with Madeleine and her enigmatic past, leading him down a spiral of obsession, deceit, and psychological torment.

Vertigo (BFI Film Classics)

by Charles Barr

4.8 out of 5

Language	:	English
File size	:	12213 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
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Print length	:	123 pages

Charles Barr's BFI Film Classics Volume

In his seminal BFI Film Classics volume, Charles Barr provides a comprehensive analysis of "Vertigo," exploring its intricate narrative, haunting atmosphere, and enduring legacy in the canon of cinematic masterpieces. Barr's insightful commentary delves into Hitchcock's meticulous craftsmanship and innovative use of cinematic techniques to create a film that transcends the boundaries of genre.

The Narrative Labyrinth

"Vertigo" boasts a complex and labyrinthine narrative that unfolds in a dreamlike haze. Barr unravels the film's intricate storytelling, highlighting the masterful use of foreshadowing, red herrings, and unreliable narration. He demonstrates how Hitchcock manipulates the audience's expectations, constantly blurring the lines between reality and illusion.

The Doppelgänger Motif

One of the central themes of "Vertigo" is the doppelgänger, or the ghostly double. Barr explores the significance of the two women in Scottie's life, Madeleine and Judy Barton (also played by Novak),who bear a striking resemblance to each other. He analyzes how the doppelgänger motif serves as a metaphor for Scottie's psychological torment, his obsession with the past, and his inability to confront his own mortality.

Haunting Atmosphere and Cinematography

Barr lauds Hitchcock's masterful creation of a haunting atmosphere that permeates every frame of "Vertigo." He discusses the expressionistic use of lighting, shadows, and composition to evoke a sense of unease, disorientation, and psychological turmoil. He also analyzes the iconic cinematography by Robert Burks, particularly the innovative use of the "Vertigo shot," which mimics the subjective experience of acrophobia.

Bernard Herrmann's Mesmerizing Score

Barr recognizes the crucial role of Bernard Herrmann's score in enhancing the film's emotional impact and psychological intensity. He explores how Herrmann's haunting and dissonant music perfectly complements the film's visuals, creating a sense of impending doom and psychological disintegration.

James Stewart's Performance

Barr hails James Stewart's performance as Scottie Ferguson as one of the most iconic and nuanced in film history. He analyzes how Stewart's portrayal captures the character's complex emotions, ranging from obsession and guilt to vulnerability and self-destruction. Barr also examines the chemistry between Stewart and Novak, highlighting the erotic tension and psychological gamesmanship that drive their relationship.

Kim Novak's Enigmatic Presence

Barr praises Kim Novak's performance as Madeleine and Judy, showcasing her versatility and ability to convey both the ethereal grace of Madeleine and the vulnerable innocence of Judy. He explores how her dual roles contribute to the film's exploration of identity, obsession, and the blurring of reality and illusion.

Hitchcock's Cinematic Legacy

Barr concludes his analysis by examining "Vertigo's" enduring legacy and its status as one of Hitchcock's most influential and critically acclaimed films. He discusses the film's impact on subsequent filmmakers, its groundbreaking use of cinematic techniques, and its enduring popularity among audiences worldwide.

Charles Barr's BFI Film Classics volume on "Vertigo" is an indispensable guide to one of cinema's most enigmatic and enduring masterpieces. Through his insightful analysis, Barr illuminates the film's intricate narrative, haunting atmosphere, and psychological depth. He celebrates Hitchcock's masterful craftsmanship, the iconic performances of James Stewart and Kim Novak, and the film's enduring legacy in the pantheon of cinematic greats.

Vertigo (BFI Film Classics)

by Charles Barr

4.8 out of 5